Tuesday, June 11, 2013

Cause Video: A First-Ever Survey

YouTube, See3 and Edelman just released a first-of-its-kind survey on nonprofit sector use of Cause Video, asking 500 cause leaders and experts how the social good sector is using video stories to make an impact. [The report, Into Focus: Benchmarks for Video and A Guide for Creators can be found here.] Full disclosure: We here at Cause Global were among those experts polled, based on our work to create a cause video curriculum and lab at NYU's Heyman Center for Philanthropy and Fundraising to help the sector take video-making in-house.]

The survey's big takeaways? First, nearly all of those polled (91%) say video is important and will get more important over the next three years. Second, most nonprofit leaders (87%) say they intend to produce a lot more video. [No surprise so far: Cisco projects that by 2017, just five years from now, two-thirds of the world's global consumer data traffic will be video.]

But here's the rub. This video enthusiasm is not (yet) being reflected in nonprofit spending—and in a big way. Only 6% of the cause leaders queried say they anticipate a significant increase in their video budgets in the coming year, 24% said they expect only a slight increase, and the rest think allocation of funds will remain about the same as it is today, or even slide. "Only about a quarter of those polled expect some increase in their video budget and 70% do not," says Michael Hoffman, CEO of See3 and one of the founders of the survey. "That's a full two-thirds of organizations who won't be spending more than they do now, and maybe even less. There's definitely an underlying discomfort behind all that video enthusiasm."

So what's driving it? There are four top barriers:

* The biggest barrier cited, by far, are budget restrictions. Nonprofits would make more video if their budgets were bigger, 79% of respondents said. [Annual video expenditures for 66% of the organizations surveyed were $10,000 or less.] According to the survey, a full half of the respondents currently outsource what video projects they have to outside studios rather than try in-house projects which can be just as good, if not better. By tapping volunteers with special expertise or turning to lower-cost equipment, such as smartphones and free editing software, a rising number of organizations are starting to make short, high-quality videos themselves at very low cost. "The excuse that we nonprofits don't have the equipment has gone away," Hoffman says. "It's not just you who has a camera in your pocket. Your constituents do, too." Still, about 20% of organizations said they lack the skillsets needed to make their own videos.

* Staff resources aren't ideal. Slightly more than half of those polled (52%) said the staff lacked the time to focus on video production. People are already overworked and are reluctant to take on more, respondents said, especially if they won't be paid for their efforts. "Trouble is," says Hoffman, "video is here to stay. If you want to reach people with your message in this hyper-connected world, you need to incorporate video into your marketing and fundraising plans, and then assign the necessary personnel to take responsibility for producing it and overseeing it." Better yet? Start building internal capacity for video editing and storytelling with your very next hires in all departments. And meanwhile? Ask volunteers to film or photograph your on-the-ground programs as they occur. Sharing your organization's work in simple videos posted on YouTube is a good way to start.

* Internal departments don't collaborate very well. Nonprofit cultures still tend to be more hierarchical than collaborative. Cultural factors, such as a not-invented-here syndrome, and departmental silos, were cited by nearly 40% of respondents. In many organizations, both large and small, each department has its own budget and task list. "In some cases, we found that the communications department would have a video budget but the fundraising department down the hall didn't have access to that," Hoffman said. "Very few nonprofits are doing joint projects internally with shared budgets and goals—yet."

* Nobody knows how to measure the impact of a video. A large number of respondents said they don't know, and have no way of knowing, if a video works or not against nonprofit objectives. They don't have video metrics, and to be sure, most nonprofits are still struggling with measurement issues across the spectrum of their new media efforts. During the Philanthropy 3.0 Speaker Series  we curated and moderated at NYU this spring, both Hoffman and DoSomething.org's top data scientist, Bob Filbin, cited the frustration. "How many views from people does it take to consider a YouTube video a success? Try 1.5 million," Filbin said on one of our NYU panels on the use of Big Data in advocacy. "We got that many views on one of the videos we posted in 2011, and we all thought it was a success, right? But then came the data report. Only eight viewers had signed up to donate equipment, which was what the video was trying to get people to do." So what happened? "We were concerned with the wrong metric," Filbin and colleague Jeff Bladt wrote in the Harvard Business Review on March 13. "...As we learned, there is a difference between numbers and numbers that matter."

Hoffman and other survey founders caution that maybe the sector is looking too hard at conversion rates as a way to measure the impact of a good video. Maybe something is getting overlooked, Hoffman says, suggesting the biggest survey takeaway of all may be this: "Videos provide the emotional framework for the ask," he says. "People respond to a good story more than anything else. Emotion leads to attention leads to support."

Among other survey findings:

* Who's in charge of cause video production at most nonprofits? Not surprisingly, the communications department (58%), followed by digital/social media (32%), fundraising (20%), and volunteers (19%). Outside video producers are contracted for about half of the total videos, though the trend is moving toward more in-house production, says Hoffman.

* Shorter is better. Viewers of all stripes start tuning out after 10-15 seconds. According to Hoffman, if you don't put the ask within the first 15 seconds of your video, you will lose most of your audience.

* 'Thank-you' videos are gaining in popularity, mostly because they can be made in-house, at less expense and by volunteers using their smartphones. These types of short videos can be an important part of your donor relationship management strategy; donors love to see themselves in a video or to be personally and publicly thanked in one. Here's one made by charity:water.org.

* What are the top social media channels used to distribute cause video? YouTube ranked No. 1 with 81% of respondents, followed by Facebook (78%), Twitter (55%), Vimeo (16%), Google+ (10%) Pinterest (8%) and private social networks at 5%.

* What's the best way to get your videos viewed? Send your videos to known supporters of your cause and organization rather than to people who have shown no previous interest in your mission. "It is much more effective to get your video to 100 of your organization's most passionate supporters, who will share, promote, and engage with your content," Hoffman says. "These 100 are most likely to work for you, and their friends are more likely to view something that comes from someone they already know."

How is your organization using video? Are you experimenting with Vine? Our cause video news team here at Cause Global would love to hear from you.

-- Marcia Stepanek


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Monday, February 27, 2012

Cause Docs: The 2012 Oscars


Five short "cause" documentary films were nominated for an Oscar this year. Taking home the prize last night was Saving Face, a disturbing portrait of violence against women in Pakistan. Though the short film won top honors, each of the documentary shorts nominated for an Oscar this year in the category of Best Documentary Short Subject offer powerful, raw glimpses of contemporary life around the globe.

Here's a closer look at each of the films in the category, including the winner:

Sharmeen Obaid Chinoy, who made Saving Face with American director Daniel Junge, profiles Mohammad Jawad, a Pakistani-born plastic surgeon in London who helps women disfigured by men who have thrown acid in their faces, to punish them for defying their wishes. According to The Acid Survivors Foundation, about 150 women are viciously attacked each year by men who can obtain acid used in the local cotton industry. Jawad now works with charity aid groups, such as Islamic Help, to rebuild the faces of women like Zakia, who the film follows. Zakia lost an eye and half of her nose after she asked her husband for a divorce. "He wanted her to spend the rest of her life within the four walls of her home and wanted her to regret the decision to divorce him," Chinoy told Radio Liberty in a January interview about the film. Saving Face is scheduled to air in full on HBO on March 8th. Here's the trailer:


The Barber of Birmingham: Foot Soldier of the Civil Rights Movement by Bay Area photographer Robin Fryday and veteran documentary producer Gail Dolgin, profiles 85-year-old James Armstrong, a barber and self-described "foot soldier" in the nation's civil rights movement since the mid-1950s. The film captures the impact of President Obama's 2008 election to the White House on aging civil rights activists who fought for the right to vote. Since 1955, Armstrong's barbershop in Birmingham, Alabama, has been a hub for haircuts and civil rights. Armstrong, an Army veteran whose two sons were the first to integrate an all-white elementary school, has devoted his life to the dream of civil rights for all. Here's the trailer:


God is the Bigger Elvis by Rebecca Cammisa and Julie Anderson is a profile of actress Delores Hart, who abandoned a film career at the age of 23 to become a Benedictine nun. Hart co-starred with Elvis Presley in the 1957 Parmount movie, Loving You, giving Elvis his first on-screen kiss, and starred in nine other movies before deciding to join a convent. [Hart's photo is above.]


Incident in New Baghdad is a film by New York-based filmmaker James Spione that offers an insider's look of the famous July 12, 2007, Baghdad airstrike that killed two Reuters journalists and a dozen other mostly unarmed individuals in a suburb of Baghdad during one of the most violent and chaotic periods of the Iraq war. The Morninglight Films production showcases former Bravo Company member Ethan McCord and his recollection of what he saw when he arrived at the scene of the attack to investigate. The film also focuses on footage released a year ago by WikiLeaks from a gunsight camera of an Apache helicopter engaged in the incident. Here's the trailer:


In The Tsunami and the Cherry Blossom, Lucy Walker and Kira Carstensen talk with survivors of last year's horrific Japanese tsunami and explore their courage and resolve to rebuild as cherry blossom season begins again.


What do you think of the nominees and the Oscar winner? Let us hear from you.

--Marcia Stepanek

(Photo, top, of Delores Hart on Flickr)

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Friday, February 25, 2011

Cause Docs: The 2011 Oscar Nominees


Ken Brecher, the former executive director of the Sundance Institute and an anthropologist by training, told those attending the 2009 Skoll World Forum on Social Entrepreneurship that "video is the medium of the digital age." At that conference, he famously urged social entrepreneurs and cause activists to use film, YouTube and short video "to bring order from chaos and in doing so, fulfill the highest human function -- not as a visionary but with a strong sense of reality."

Five short "cause" films have been nominated for an Oscar this year; each offers a raw glimpse of contemporary life around the globe. Nominated films include the story of a Pacific Island threatened by climate change -- one of the first films about climate change refugees. Also up for an award Sunday night: a film that profiles a young cheerleader-turned-machine gunner in Iraq; another that tells the story of a wedding disrupted by a suicide bomber; a profile of Chinese villagers who fight back against the chemical company that is polluting the local water supply, and a short film about an extraordinary school in Tel Aviv that brings together students from 48 countries.

Here's a closer look at all of them:

Sun Come Up is the story of how the residents of Papua New Guinea's Carteret Islands are being forced by climate change to find a new home. Here's the trailer:




Killing in the Name explores the origins of terrorism and measures its impact on daily life. The film follows Ashraf Al-Khaled, whose wedding was the target of a suicide bomber that killed his father and 26 other family members. Here's the trailer:


Here's the podcast interview with the filmmaker, Jed Rothstein, on The TakeAway, broadcast February 22, 2011, on WNYC Radio:



Poster Girl is about one girl's journey from cheerleader to wounded veteran; click here for a recent Huffington Post interview with filmmaker Sara Nesson. Nesson met Sgt. Robynn Murray at a Combat Paper Project workshop on Martha's Vineyard, then profiled Murray's struggle to fit back into society post-Iraq. Here's the trailer, below:




Strangers No More is a short film about a school in Tel Aviv where children from 48 different countries and diverse backgrounds come to learn. Here's the trailer:




The Warriors of Quigang is another short doc nominee for the Oscar, about a Chinese village that fights back against the pesticide plant that has polluted the local water supply. Click here to watch the trailer.


What do you think of these films? Can you name a few that also should have been nominated? Let us hear from you.


-- Marcia Stepanek

(Photo, top: Sergeant Robynn Murray, the subject of
Poster Girl)

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Tuesday, February 22, 2011

Anatomy of a Facebook Revolution


Tonight, Frontline airs Revolution in Cairo, a behind-the-scenes look at Egypt's April 6 Youth Movement as it plots strategy and then heads out into Cairo's Tahrir Square, hoping to bring down President Hosni Mubarak. "The film traces these young Egyptian activists' long road to revolution, as they made increasingly bold use of the Internet in their underground resistance over the last few years," Frontline's Executive Producer David Fanning recounts. "Through sites like Facebook, Twitter and YouTube, the members of April 6 and related groups helped organize a political movement that the secret police did not understand and could not stop, despite the arrest and torture of some of the movement's key members."

The piece includes soundbites from David Wolman, the WIRED writer who has been reporting inside the April 6 movement and Mona Eltahawy, a popular blogger on Arab issues.

Here's the PBS promotion trailer:



Here's the fuller video; the story begins after a 30-second advertisement:



What do you think of this story? Let us hear from you.

(Photo, top, is of April 6 Youth Movement headquarters in Cairo.)

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Monday, February 14, 2011

Cross-border Swarming


Cairo youth didn't act alone in using social media to depose Egyptian President Hosni Mubarak, the New York Times says today in a front-page story. Their Facebook and YouTube activism was part of a sophisticated, two-year, online collaboration with Tunisian youth activists that used social media to reach across national borders to commiserate about torture, trade tips on evading tear gas, and plot how to use technology to duck surveillance.

"They fused their secular expertise in social networks with a discipline culled from religious movements and combined the energy of soccer fans with the sophistication of surgeons," Times correspondents David Kirkpatrick and David Sanger wrote, describing the anatomy of the movement that led to protesters' successful face-off in Tahrir Square against less tech-savvy Egyptian authorities.

"What we discovered in reporting this story was that what's happening in the Middle East now is more than just a contagion in which one group inspires the next," Sanger told WNYC Radio this morning on The Brian Lehrer Show. "There was, thanks to Facebook and other social networking elements, a lot of communication back and forth across borders, but of course there are no borders (on the Internet). ...Imagine what a shock that was to Egyptian authorities -- to discover that the entire security system they had spent billions to build and focus on the inside never even considered this other (cross-border technological) threat."

[Wael Ghonim -- the Egyptian Google executive whose Facebook page is credited with helping to catalyze the crowds in Tahrir Square -- told CBS 60 Minutes last night that "Without Facebook, without Twitter, without Google and without YouTube, this (revolution) would never have happened." CBS Correspondent Harry Smith, in this blog post today, quotes Ghonim as saying that the revolution "is like Wikipedia, okay?" Social media enabled everyone to be contributing content, Ghonim told Smith. "Everyone was contributing small pieces. No one was the hero but everyone was the hero."]

Sanger agrees that social media were critical to Cairo's youth revolution, which used online social networks to help destabilize the regime of former President Hosni Mubarak, forcing him to resign from his 30-year reign on February 11th. "But what was really remarkable" about the Egyptian youth movement, Sanger told WNYC, is that it used both high and low tech to organize support:

"While social media were used to organize ringleaders, once they got going, they also used some of the oldest forms of communications -- putting up leaflets and fliers and walking through some of the poorest sections to reach people without Net connections. They shouted their message in the streets and picked up a following, liked the Pied Piper. This was a combination of extremly high tech organization and extraordinarily low-tech organization."

And now the young leaders are looking beyond Egypt, Sanger says. He and Kirkpatrick quote Walid Rachid, 27, one of the members of the April 6 movement in Cairo -- an Egyptian Facebook group -- as saying that "Tunis is the force that pushed Egypt, but what Egypt did will be the force that will push the world." At a meeting of youth movement leaders last night in Cairo, Rachid told Kirkpatrick: "...If a small group of people in every Arab country went out and persevered as we did, then that would be the end of all the regimes." According to the Times story, the members of the Tunis and Cairo youth movements are talking about sharing their experiences with similar youth movements in Libya, Algeria, Morocco and Iran.

But Sanger cautions that the movement's success in Cairo doesn't insure its success elsewhere, especially in countries where authorities are far more sophisticated in the use of the Internet to organize protest. Sanger told WNYC: "I'd love to say Facebook was protection against the military, but had the military decided it was going to open fire on protesters and round people up, this could have looked more like Tiananmen Square, then I think we would have had something very different here." Sanger added: "...Just because social networks can be organized doesn't necessarily mean they will be successful at overcoming a regime." Sanger said that some regimes, like China, "are extraordinarily adept at using the Internet and social media to follow dissidents and punish them." Mubarak's regime, he says, "was clueless" about the power of social media and the Web -- but not every regime is, nor will be in the wake of what happened to Mubarak.

Meanwhile today, The Associated Press is reporting that the U.S. State Department has begun sending Twitter messages in Farsi to reach social media users in Iran, with some of the Tweets accusing Iran's government of "illegalizing dissent" while at the same time praising Egyptian protesters. The State Department's Farsi Twitter account had 60 followers within two hours of its launch, the AP was reporting. The AP also is reporting today that the State Department launched an Arabic Twitter feed last week in an effort to communicate with the Egyptian protesters and signal its support.

For more on the role of social media in political activism in the Middle East, see Cairo's Facebook Flat, below:


(Photo of Egyptian Facebook activist Wael Ghonim by Getty Images)

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Sunday, October 24, 2010

YouTube Art

The establishment art world has finally acknowledged online video as an art form. Here are six of the 25 YouTube videos chosen from among more than 23,000 submissions from 91 countries for The Guggenheim Museum's first-ever exhibit of online video, YouTube Play: A Biennial of Creative Video. Chief Curator Nancy Spector said the videos represent "the most unique, innovative, groundbreaking video work being created and distributed online during the past two years."

The jury for the Guggenheim-YouTube collaboration included the band Animal Collective, film director Darren Aronofsky and photographer Marilyn Minter. All 25 videos were projected on the outside of the museum in Manhattan Thursday night. [OK Go, known for its inventive music videos, performed live.]









To see more of the Top 25, go here.

What do you think? Let us hear from you.

- Marcia Stepanek

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Thursday, September 9, 2010

Beyond Knowledge


As an associate professor of cultural anthropology at Kansas State University, Michael Wesch says he has a “front row seat" from which to explore and watch the effects of new media on society and culture, and for the past three-and-a-half years, Wesch has been inviting his students to help him analyze the vast social media community.

After trawling through mega-gigs of YouTube content, watching hours of videos and posting videos of their own, Wesch says, he and his students “are finding that the same conditions of ease and anonymity that enable people to get snarky online" can also encourage them to participate in meaningful and collaborative new projects. In fact, says Wesch, YouTube and other social media can mitigate the cultural tension between teens’ conflicting needs for independence and community by offering them “connection without constraints.” What looks like narcissism and individuality is actually a search for identity and recognition, Wesch told PopTech goers last fall. “In a society that doesn’t automatically grant identity and recognition, you have to create your own.”

Wesch says he’s hopeful that social media will ease the “narcissistic disengagement” of many young people and encourage them to be more politically and civically engaged. Already, he says, some heroes have emerged—including the anonymous YouTube character who filmed himself giving hugs to strangers in the streets, and One World, the person who wore a Guy Fox mask and used his anonymity as a platform for collaboration, asking people to write messages on the palms of their hands and to hold them up to their Webcams for sharing. Millions of people shared this way, mostly about the need to love one another and to look beyond themselves.

“When I’m using a Webcam,” Wesch explains, “I’m not talking to you, I’m talking to it. When you’re Twittering, you’re not talking to me, you’re talking to it. Or when I’m on Facebook, I’m not talking to you, I’m talking to it.” The point, says Wesch: When communicating face-to-face, people bring many different versions of themselves into a conversation based on the context of that conversation. “But when you’re sitting in front of a camera, or twittering to hundreds if not thousands of people in a community who you cannot see and who cannot see you, you don’t know who you are talking to or when or in what context, and so [communication via social media is] forcing a kind of context collapse—a deeper level of self-awareness not present in simple, everyday conversation. People can get deeply self-reflective on YouTube and confessional…and reveal things they would otherwise refuse to reveal, even to their family and close friends.”

In talks to PopTech and around the country, Wesch has been urging journalists, business developers and social media specialists to start thinking of YouTube and other forms of social media as “a new kind of public sphere” where new types of conversations and forms of communication can occur. “We have an opportunity, on YouTube and with other social media, to create a whole new groundwork for the way conversations work – and for the way education works, as well,” Wesch says.

I caught up with Wesch last week to find out what he’s been up to since his talk last fall in Camden for PopTech. What follows is an edited transcript of our conversation, re-posted from PopTech's blog with permission:

At PopTech last fall, you shared some very moving and humorous examples of the many ways social media are changing the ways we consider each other, altering both what we're willing to communicate and to recognize in ourselves. "If our media are changing, then our conversations are changing," you said. "And if our conversations are changing, then so, too, are our communities -- and ourselves." What new insights have you been getting from your research?

WESCH: Since PopTech last fall, I have shifted into activist mode. One of the things I am doing is launching a crusade for new media literacy at all levels of education, which largely stems from what you might call the ‘dark side’ idea that I didn’t really get into during my PopTech presentation — yet it strikes me that we’re sort of on this razor’s edge right now, where we have these great possibilities before us but also are facing some downsides. Social media provide great opportunities for new forms of transparency, openness and connection. But they also provide new ways to isolate ourselves, and new ways to deceive each other – as well enable new forms of surveillance and control. Our schools right now are failing in this regard by framing most of what they’re teaching in an old media model. Even while they may embrace technology in the classroom – they bring in computers and so forth – their pedagogy hasn’t really caught up. Since last fall, I’ve been traveling all around, talking to teachers and hearing from people involved in education at all levels. I’m trying to get a more sophisticated media literacy into the curriculum.

In your travels, when you speak to these teachers and educators about the need for more new media literacy, what kind of feedback are you getting?

It’s been overwhelmingly positive. It could be that I’m talking to people who have been converted to this view already. [laughter].

But the thing I keep hearing at faculty meetings and at brainstorming sessions, all the time, is that as educators we need to increase students’ critical thinking skills. Critical thinking has been the rallying cry now for three or more decades, but I’m concerned about that being our top goal. I think critical thinking is really important. In an “information society” we need a critical filter for all the information coming at us. But increasingly we are not just an “information society” and in this new media world, where we can create our own media and connect with people in increasingly new ways, we should be preparing our students to understand how they can leverage these new technologies – not just to be critical but also to be creative. And furthermore, they need to understand how new media – any new medium – mediates relationships and shapes our conversations by shaping what can be said, how it can be said, who can say it, who can hear it, and so on. Every medium opens up new possibilities and creates new challenges and problems. Students need this sort of media literacy — and not just to be more effective in the world in terms of a career, but also, ultimately, to really use social media as engaged global citizens trying to shape a better world.

So how does one make that happen?

Anya Kamenetz, the author of DIY-U, who you interviewed recently for PopTech, is finding solutions outside the institution. I admire those solutions, but as someone who works on the inside of an institution, I’m also interested in solutions that leverage the institutions we already have. For example, there is certainly no other place in rural Kansas — where I’m at — where you can get 23,000 people together who are dedicated to improving themselves. It seems to me that you can really leverage that. Even if you disagree with the way the institution is set up, you can at least leverage the fact that there are 23,000 people who have taken time off from their lives to learn something there. So I’m advocating that we start bending those existing structures of education a little bit. The one thing I’m trying to do is to get faculty to take the institutional structures that are around them a little bit less seriously. I’m saying, ‘Don’t take the walls as barriers. Instead, just open up.’ The basic model to me for doing that is to simply start any class with a real problem to solve – a problem you don’t know the answer to but that is highly relevant to the world. It can be a real research problem or it can be a real practical problem in the real world. Then just go at it with your students, and you naturally become a learner right alongside your students. All the institutional structures around you either become tools or become irrelevant. Certain structures will be supportive and you can use them; everything else you can ignore because you are just engaged in this real and relevant problem. I set up almost all of my classes like this. It increases motivation and engagement, and we find ourselves practicing all the things we need to have practice in order to create students who will, ultimately, be able to harness and leverage these new media tools, because you can’t help but recognize the usefulness of some of these new media tools when you start engaging real and relevant problems with large groups of people.

There’s a new nonprofit venture called Startl that’s backed by some of the world’s best-known foundations, including Gates, and which is entirely focused on finding and funding education entrepreneurs who will challenge the system as we’ve known it. Startl’s founder, Phoenix Wang, refers to what she calls “the powerful pressure that tech brings to many of nation’s outmoded schools” but she also says there’s a Web-spurred cultural shift going on that additionally must be addressed. “There’s a whole new generation of kids,” she told Anya Kaminetz in a February Fast Company interview, “who expect that they should be able to have control over how they learn, what they learn, and where they learn. They’re not just consumers, but co-creators and collaborators. They can share/mashup/remix knowledge.” Isn’t this what you’re grappling with, as well?

I have to admit I hesitate to agree with any statement that begins “a whole new generation …” especially when they are identifying this generation as “co-creators and collaborators.” As I see it, this generation has been given a great technological gift through new media to * potentially * be co-creators and collaborators, and that they “might” share/mashup/remix knowledge but the vast majority of them are not. New media may make it appear fairly easy to co-create and collaborate, but the reality is that while these things may be technologically easy it remains very difficult to create something of true value and to collaborate with others effectively. So we need to create learning environments where collaborative problem-solving is the core practice.

It is not just this generation that wants to learn what, how, and when they want to. We are all like that, and we always have been. One of the problems with institutionalized education is that teachers are more or less forced to move through a particular bunch of content that is supposed to be covered in any given course. Educators become a slave to the content, racing through it to make sure they cover everything. But if, instead, we start with a real problem that is relevant to the educational content we want to explore, we end up covering all the content we are supposed to, but this time we cover it in a more meaningful way. And we don’t just cover it. It’s not about ‘covering’ it. The content becomes a pool of insights. All of our “subjects” – psychology, anthropology, sociology, and so on – they’re all disciplines that offer pools of insights from which to draw when you’re approaching a real problem.

If students don’t follow a real problem – and you just run your class like a typical survey course – the class then just becomes an exercise in memorization, and the students forget the content two months after the course is over. Neil Postman and Charles Weingartner refer to this as the “vaccination theory” of education. You hear students talking all the time, for example, saying that they took a biology class and therefore, don’t need to take biology ever again. This is part of a larger culture in higher education and in all of education, where the learning has been disconnected from real life and therefore becomes a game — something students just try to get past. A lot of the ills of education can be traced to this, everything from cheating to disengagement.

I have to admit I really value the face-to-face classroom experience, augmented with the right online tools & collaboration. When my students and I start working problems together, we start to develop – like any team – our own vocabulary and our own ways of interacting. And because of that, it becomes harder and harder to collaborate effectively with other people spread out around the world. Sure, we still collaborate with people around the world on our projects, but they’re not in on it in the same way as those students who are sitting around the table with me. So I’m still on the edges of figuring out if we’re doing this right – getting the right mix of in-person and online.

There are people out there like Stephen Downes and George Siemens who have ran open online courses with 2,000 people who may never see each other. Their idea has been that that if we can just get a lot of really smart people together online, then they can educate themselves and grade themselves. There are some really interesting possibilities there. But (as I’m sure they would agree) I still think these face-to-face classrooms can be a really important part of the mix. I think there’s a time for closing the door and doing the old school thing, with physical walls, so that students can have a chance to open themselves up and feel a little more vulnerable. Students learn more easily when they’re not afraid to be vulnerable. It’s harder to let yourself be vulnerable when you’re doing everything out in the open.

In your recent talks at conferences around the country recently, you’ve cited the tension between two contradictory but still-prevalent views of the impact of media on society. On one side, there’s the late Marshall McLuhan, who said we live in this world of instant replay, where our actions can be captured on film or video and replayed repeatedly, affording us a deeper level of understanding. On the other side, there’s Kenneth Gergen and the late Neil Postman, who talked about “the saturated self” – a self so saturated and overwhelmed by media that there’s actually no space left for reflection. How does this intellectual tension inform your thinking today about the classroom experience?

I can’t say with any confidence which trend is winning out in our culture. I think, instead, that it’s more the case that both trends are there, existing sort of simultaneously, and we’re just living in a space that contains both – a space in which it’s possible to become more self-aware through new media but also just as likely to become overwhelmed and saturated, and easy to lose track of any form of reflection. It’s really easy to live on surfaces these days.

Again, for me it comes back to the realization that new media have great potential, but that this potential can work negatively or positively. That’s why new media literacy is so important right now, and why we need to reshape education.

My courses and my teaching are organized around this idea that large parts of our educational system have been based mostly on creating students who are very knowledgeable and know a lot of material. Many of our classrooms are set up as “information dumps” and clearly send the message that transferring information from the head of the sage on the stage to the student is the primary goal.

Being knowledgeable is important, but I’m trying to add two more important pieces to that. First is the ability to communicate well with others – to listen as well as to speak to others in multiple media forms. And then the other piece of it is empathy, which I think we’ve really lost for a long time. It hasn’t really been part of the classroom experience, and that’s where face-to-face interaction can be so powerful. With face-to-face learning, you can be in a place where the door is closed, you’re sharing a place with others, working as a team and having to understand others and respect them. All of which sort of forces you into a more empathetic environment. So when you look at these three things together – communication, empathy and knowledge – it’s actually the case that no single one of these can grow very far without the other ones also growing. The better you communicate, the more your knowledge base grows and the more you’re able to imagine your way into another person’s perspective. That’s the empathy piece. And so it also goes that the more empathetic you are, the better you communicate and the more you’re listening and sharing your ideas with others – and gaining knowledge.

These things all have to be part of the classroom, but for too long we’ve just really focused on the knowledge piece. It’s time to create a more holistic learning environment, to provide opportunities for students to get all three things – knowledge, empathy and communication – so we can all work to become smarter, wiser, more empathetic people who can harness and leverage the potentials of new media to co-create a better world.

(Photo of Mike Wesch, above, By Kris Krug for PopTech on Flickr)

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Friday, September 3, 2010

Animated Debate

If you can type, you can make movies -- or so says the new text-to-video start-up xtra normal, which has created a way for anyone to quickly (and cheaply) create an animated video to promote a particular cause or point-of-view. [Think Wordpress meets South Park.] The video animation templates offered by the start-up are the latest entry into the fast-growing, short-form video space -- and hold promise for nonprofits and other cause groups that are cash-strapped and video-challenged.

Here's one example, referred to us via DoSomething.org. Made on the xtra normal platform, it urges a more peaceful debate around the construction of a proposed mosque and spiritual center in lower Manhattan:


Of course, as soon as this was made, other (longer, bolder and alternative) versions were released, as well. Here's one of them:


How does it work? Upload your script and choose your actor from a range of English-speaking animals, John Doe types and Sarah Palin look-alikes; the templates do the rest.

What to say? The fight for Good v. Evil is getting animated, indeed. (wince)

Let us know what you think.

-- Marcia Stepanek

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Thursday, July 15, 2010

Hollywood Social

Sony today released the first full trailer for The Social Network, the much-anticipated movie about the creation of Facebook. Directed by David Fincher (Zodiac, The Curious Case of Benjamin Button) and written by Aaron Sorkin (The West Wing, Studio 60 on the Sunset Strip, Sports Night), the film tells the story of how Facebook co-founder Mark Zuckerberg helped to dream up the iconic social network at Harvard University way back in 2003. The tale includes the perspectives of other young entrepreneurs at the time who sued Zuckerberg, saying the site was their idea. [Hint: the tagline reads, "You don't get to 500 million friends without making a few enemies."]

The film, based on Ben Mezrich's 2009 book, Accidental Billionaires, will debut at the New York Film Festival on September 24, before the movie is released on October 1.


It was the second time in as many weeks that social media have been the subject of Hollywood buzz. Last week, producers/directors Ridley Scott and Kevin Macdonald announced they will make Life in a Day, a nonfiction movie knitted together with crowdsourced YouTube video clips.

What's next? Foursquare, the film?

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Friday, July 9, 2010

YouMovie


It was inevitable, perhaps, that somebody would attempt to crowdsource a movie. Who better than YouTube, in collaboration with Oscar-winning documentary director Kevin Macdonald (The Last King of Scotland) and Producer Ridley Scott (Alien, Blade Runner)?

The team is creating "Life in a Day" -- a film experiment that is asking YouTube users from around the world to upload short, nonfiction video clips of their lives to a designated channel on YouTube. The goal: to create a user-generated, feature-length, content-driven documentary -- which Macdonald will stitch together into a video collage representing one 24-hour period of human life on the planet. The film will premiere on YouTube, for free, on the same day the film debuts at next year's Sundance Film Festival. Scott's production company will own the rights to the final film.

According to The Wall Street Journal's "Digits" blog, Macdonald has hired 10 multi-lingual editors to help filter the good stuff from the dross and start cataloging user clips for review. And here's the good part: to help spur the creativity of the crowd, Scott is distributing 500 free video cameras to NGOs and nonprofits in 20 countries and "areas on the wrong side of the digital divide" to ensure a multitude of diverse voices are represented.

The concept for the film isn't new: The "A Day in the Life" photo projects published earlier in the decade by leading magazines featured images shot on a single day by various photographers working in multiple locations around the world. Macdonald also told The Washington Post that to prepare for the project, he also studied the Mass Observation Project, which was a project in England in the 1930s that assembled diary entries and opinions of 500 citizens to create a document of the era.

It's also not the first time that YouTube has been involved in a crowdsourcing experiment. Last year, the company partnered with Carnegie Hall to assemble 96 of some of the best musicians on YouTube and got them to play together, offline, in the famous concert hall. But unlike the YouTube Symphony, whose members were determined by an online vote, the YouTube movie will be Macdonald's creative production.

Macdonald told Digits: "Like a lot of filmmakers, I'm very anxious about the Internet because we see the piracy and people stealing our ideas and well, putting them on YouTube, and that's going to destroy the film industry like it destroyed the music industry. This YouTube documentary we're making is the flip side of that. It's about what's really positive about the Internet and the creativity that only the Internet is capable of."

Listen up, citizen videographers. Macdonald says he is specifically looking for video clips submitted on July 24 -- the "day" in the life he is choosing to curate. For more information about the project, watch this video:


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Thursday, May 20, 2010

YouTube Birthday

YouTube is five years old this week; here's one of the videos the company has made to celebrate the milestone and its influence on early users -- in this case, Federic Alvarez, the 30-year-old Uruguyan filmmaker behind the YouTube smash sci-fi short, Panic Attack:

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Friday, May 14, 2010

Choose a Different Ending

There are a variety of ways that social advocacy groups use videos -- to break news, tout their passion and thought leadership, and explain complex issues. All focus on storytelling in traditional video formats.

But there's a new type of cause video starting to gain notice as an effective way to engage new supporters. It's interactive -- your supporters and would-be supporters decide what happens next. It's a type of video that combines good storytelling with the interactivity of a video game. Here's an example, called Choose a Different Ending, developed for the UK nonprofit, droptheweapons.org, to fight street violence. It was shot by British filmmaker Simon Ellis.





What do you think? Might this be an effective way for your cause to engage supporters? Let us hear from you.

-- Marcia Stepanek

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Thursday, March 11, 2010

"You" Video


And now for the next generation of bringing YOU into videos, check out the latest "Blue State" fund-raising appeal from the Service Employees International Union (SEIU), in partnership with MoveOn.org and Brave New Films. Called "Glenn Beck Attacks," the campaign personalizes a video to include, well, you -- using a Facebook interface that "grabs" your photo with the click of your mouse.

The video caption reads: "Fox host Glenn Beck spent much of the last week claiming that a normal, everyday progressive was linked to Stalin, Elvis, Joe Biden's cousin, and the guy who came up with the idea of taxes."

But what's interesting here is not simply that the campaign is a digital send-up of Glenn Beck, the politics-of-paranoia purveyor that TIME Magazine has called "that pudgy, buzz-cut, weeping phenomenon of radio, TV and books." It's the technology, folks -- the ability to customize a video for millions, with the click of a mouse and a cause.

The interface adds your name and picture to a pseudo "newscast" but for those who wish [apparently depending on your level of political activism], the video can be personalized even further, to include one's hometown, friends' names, employer, and so forth.

Have a look by clicking on http://beck.cnnbcvideo.com and walk through the paces:


Is this the next generation of political advertising -- the experiential LOL version that can be just as easily used by a children-in-poverty group to rail against homelessness or child-trafficking, or by other groups to, say, put donors "on the spot?" The site advises people to worry not: "This video and site are fictional and satirical," it says.

What do you think? Is this campaign going to go viral or does it run the risk of scaring off potential donors? And regardless, what applications might there be here for your cause? The technology is here, folks -- regardless. Let us hear from you.

(Illustration by Matt Hertel for istock.com)

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Saturday, October 24, 2009

America, Reimagined: Social Media

(Photo: National Geographic/PopTech2009 Photo Camp)

YouTube contains a lot of irrelevant content: according to cultural anthropologist Michael Wesch, some 20 hours of new video is uploaded to YouTube every minute; he says 493,714 videos are uploaded to YouTube every day, on average—plus 1 million more to other sites. "We, as amateurs, upload more video content than any of the major networks combined in a single month," Wesch told attendees of PopTech's 2009 conference, America Reimagined, about how major forces are reshaping the idea of America at home and abroad. [Wesch said that in the brief history of social media, New Jersey teen Gary Brolsma was "the first on the dance floor" of the viral video phenomenon with his July 2006 “Numa Numa” Webcam clip, which shows Brolsma lip-synching a Moldovan pop song that made its way from Europe and then to Japan before finding its way to the States and Brolsma’s desktop (see below). That was two months before the launch of YouTube. Now, says Wesch, thousands are uploading videos, “doing the Net’s version of the macarena.”]



So how is this signficant? Collectively, Wesch says, all of this new Web video content represents a new language and form of cultural literacy, a new type of communication comprised of shared images and intensely personal revelations that can be used to connect people in new ways —and, perhaps, even get them to care more about each other. “[YouTube] is a whole new landscape of social media that we need to understand because it is about social networks, not the masses,” says Wesch, a professor of new media at Kansas State University. “Social media matter because they have the potential to transform individual pursuits into collective action.”

One hint of how YouTube is changing us, Wesch said, can be found in the fact that there are more than a million videos on YouTube addressed specifically to the YouTube community, itself—a community created by people speaking entirely through Webcams and computer screens to strangers, about whom they have no knowledge nor conversational context. Says Wesch:

"At first, you get nervous [filming yourself] but then there's this kind of context collapse, and then suddenly you have every possible context collapsing in on itself and it's hard to know what to say. Yet what's really interesting is that people get more nervous about how they occur to themselves than to others. That's why people get the most nervous: [video] replay offers a deeper level of awareness than the first play [as 1960s-era media analyst Marshall McLuhan said it would when he spoke of re-cognition.] ...And it's not just the content maker that is affected by this new medium; it's also the watcher."

For some people, Wesch says, the anonymity of the YouTube audience can offer a kind of freedom to engage in new kinds of conversations and the distance needed to connect more deeply. [Wesch says the camera allows people to confess things to a Webcam that they would never think of sharing with close friends or family members; Wesch thinks this kind of communication might lead to new forms of community and social understanding.] Case in point: A video called The Message (below). It was made by a person wearing a Guy Fawkes mask, who uses his anonymity as a platform for collaboration. He asked people to write messages on the palms of their hands and to hold them up to their Webcams for sharing; he posted a compilation on YouTube. Millions of people shared this way, Wesch said, mostly about the need to love one another and to look beyond themselves:



“This was the first time in history that humans have been wired up with all of these cameras, sharing messages about loving yourself and each other,” Wesch said. “…Someday, we may look back on this and see that moment when we connected all these cameras in this way. But when we do, I hope this will not come off as blind optimism because people would not be writing these things on their hands if these things existed. They wouldn't need to say it if they did.” Wesch says he sees this video, instead, as being “emblematic of the tragedy of our times—that we are more connected than ever but don’t really know it and don’t truly live it.”

[For more on Wesch, see “Speaking YouTube”—part of Cause Global’s coverage of Wesch’s presentation to the Personal Democracy Forum earlier this year in New York.]

Among other social media presentations at PopTech 2009:

* Nick Bilton, whose job it is at The New York Times to “explore and test technologies that could become commonplace” years from now, told conferees what seems obvious—that “everything about the news is changing.” But Bilton suggests that it’s not because newspapers are folding, but because of the way we share, absorb and manipulate information. Bilton, author of the upcoming book, I Live in the Future and Here’s How It Works, told conferees that multi-tasking doesn’t deserve the bad rap it’s getting from well-being experts. Our brains are adapting—or will, he says—to ever-greater and varied amounts of media stimuli. Proof? Brodmann’s Area 10 is the name scientsists have given to that spot in the brain that regulates how many things we can comprehend simultaneously. The good news? As humans confront ever-larger amounts of information to process, this area of the brain is getting larger. "With the next generation, a lot of scientists believe this area is going to start working faster and faster,” Bilton says, allowing a leap in human productivity. [Bilton also referred to a study showing that Net savvy people's brains light up twice as much while they're Web-surfing. "There is a new type of comprehension at work here," Bilton says. As for newspapers, Bilton said, “the relevance of news is changing.” When Ted Kennedy died, Bilton said, it wasn’t news to him. It didn’t mean anything. But the shooting near his house in Brooklyn? “That was news to me, but not to you—unless you live where I live,” he said. The point: As the Internet tears down geographical boundaries, news is paradoxically becoming more relevant depending on how local it is geographically. "Local" also now means relationship-proximate: Bilton told of a friend who borrowed his laptop to check the "news"—meaning Facebook. “Our concept of trust is changing,” he said. “We trust the (news) media 29 percent and we trust our friends and family 90 percent.” And one last point? Mobile phones are expanding our notions of civic space, and now it's becoming everyone's civic duty to report the news. “Can you imagine all the stories we'd hear if 9/11 happened today?” Bilton said. “Social media would have changed the whole way we would have heard those stories" and our experience of the news.

*Alec Ross, a senior social media/technology adviser to Secretary of State Hillary Clinton, told conferees about the Obama Administration's 21st Century Statecraft initiative, which is all about using social media to help nation states and leaders empower—rather than overpower—their citizens and each other. “If you think of the last eight years of American foreign policy, it was about overpowering others in the world,” Ross said. “[We want] to go beyond engaging government-to-government and to connect with people more directly.” For the first time in decades, he said, the White House connected with the Iranian people, an initiative “made possible by technology, by a [social media] toolbox that exists today and did not 10 years ago. …If Paul Revere were alive today, he wouldn’t make a ride; he would have just tweeted and the lantern hangers would’ve retweeted.” Ross said he is launching a new social media initiative with Mexican drug-trafficking authorities that aims to engage citizens in their war on drugs. “I was just in Mexico last week, and the big problem there with drug-related violence is that nobody will inform on the people responsible; all informants end up getting shot in the head,” Ross told conferees. “So I went [to Mexico] and took some of my crazy innovator friends there with me, and we met with NGOs and with Carlos Slim and we came up with a little system where people are able to email or text gang activity. Their personal emails are anonymized so there isn’t the possibility of retaliation, and so information can get up on a Web site so the government can respond more quickly, and then keep people informed about what’s happening [in their fight against drugs.] Everyone can get involved without fear of retaliation. This is just Chapter One of how we can use technology in statecraft.”

* James Fowler, the author of the recent book, Connected: The Surprising Power of Our Social Networks and How They Shape Our Lives
, told conferees that humans—like birds and schools of fish—also tend to act in communities of purpose and suggested that online social networks will amplify these natural social tendencies.
Humans have always lived in “webs of humanity," Fowler said, and within these Webs, such physical traits as obesity and behaviors such as smoking tend to spread like viruses. In other words, there is a kind of swarm mentality in social networks, and those people closest to us can affect our behaviors more than we might like to admit. “We [as humans] are connected in ways that other social species are: [we tend to behave collectively, as do] schools of fish, flocks of birds,’” Fowler said. For example, you’re 57 percent more likely to have overweight friends if you, yourself, are overweight. Fowler also described the phenomenon of “emotional stampedes”—how emotional states of happiness or depression can spread through social networks, as well. He also spoke of “financial contagions”—such as the 2007 run on England's Northern Rock Bank, “when everyone thought he bank was going to fail.” Contagion works with voting, too. But most significantly? This kind of swarm behavior spreads as far as three degrees of separation but no further, he says; the influence of the network gets weaker the more distant in personal relationship-connection you are to its center. Fowler’s take on it all? The upside. He recently lost five pounds, he said, to influence those he loves to do the same. “Just think of it,” Fowler said. “By changing your own behavior you truly can change the behavior of others.” Social media, he says, can help humans influence their communities at new levels of impact.


—By Marcia Stepanek


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Friday, October 9, 2009

Machine Rule


In his just-released book, Delete, author Viktor Mayer-Schonberger explores the surprising phenomenon of perfect recall in the digital age and makes a strong case for reintroducing the capacity to forget.

To be sure, Mayer-Schonberger isn't suggesting that all of the bits and bytes about us be subject to erasure. But he is one of the first privacy advocates to assert that "the balance between what we remember and what we forget has been unsettled" by the always-on, data-hungry machines we have created to help us keep track of each other. But much information, Mayer-Schonberger asserts, is better left ungathered—or, at the very least, allowed to escape digital eternity. "We need to be able to delete," he says. Part of being human is to consistently re-contextualize the past as it relates to the present; machines rob us of that choice.

Cause Global caught up with Mayer-Schonberger recently to talk about how unbridled digital recall is reshaping society and human behavior. What follows is an edited transcript of that conversation:

A number of books have been published recently about the limitations of human memory, including Total Recall: How the E-memory Revolution will Change Everything by Gordon Bell and Jim Gemmell. But you argue in your book, Delete, that the capacity to forget serves a human purpose and must be integrated into our data-rich culture. You say our personal freedoms are at risk.

I’ve been interested in privacy for better part of the last two decades, and have been working on both sides of the Atlantic on information privacy issues. Privacy always has been dear to me, and this culture's perfect recall problem became clear to me when I started thinking about our digital world’s ability to record a lot more data than the analog world. The threat that eminates from this problem is not just of a privacy nature, but there is another type of danger that is at least as threatening and as problematic. Humans yearn to remember, although they mostly forget. We've developed tools to lighten this biological limitation, like books and videos, to help us remember things and they've proven to be extremely helpful to us. But until a few decades ago, these tools did not unsettle the balance between remembering and forgetting. To remember was the exception; to forget, the default. In the digital age, this balance has been altered fundamentally. Today, forgetting has become costly and difficult, while remembering is inexpensive and easy. With the help of digital tools we—individually and as a society—have begun to unlearn forgetting, to erase from our daily practices one of the most fundamental behavioral mechanisms of humankind.

We're forgetting how to forget?

It’s becoming real for most of us extremely quickly. Maybe 20 years ago or so, if a politician made a gaffe on live TV, it was played over and over again and we laughed and it ruined a political career. These days, it's not just public officials who might experience this. It's pretty much everybody now. Just consider this: in 2007, two out of three young Americans created or uploaded digital content onto the Internet or to some social networking site. So two out of three people partook in the weaving of this thick digital blanket and this, for many, was able to impede or destroy our careers. You have more and more of these examples coming up as YouTube and many other portals function as hubs, where you can upload everybody else's information, gaffes and outtakes and laugh about them. I’m sure you’ve seen or heard of
the South Korean person who has been laughed at and criticized hundreds of thousands of times online because her dog pooped on the subway and it was recorded on YouTube.

This kind of permanent memory will lead to bullying?

It has already for some people, but more troubling is how the fear of such behaviors might be influencing large numbers of people in society. It would be horrible if we were to stop expressing ourselves because we start fearing that 20 years from now, or sooner, our utterances will be held against us. What does this do to free speech? Our democracy, our nation, our culture, will be much poorer and much more impoverished. So I'm suggesting that we create new legal and social tools not to encourage self-censorship, but instead create ways of choosing how long we want to preserve the information we put online. Inherent in this, of course, is an acknowledgment that some kinds of information loses validity over time, and therefore it needs to be discarded—or labeled, at least, as being past its expiry date.

This suggests that the facts don't always serve us. Why is the capacity to forget an advantage?

Researchers have found that perfect human memory is actually not an advantage but a disadvantage, because it disables people from deciding, over time, to move on. Perfect recall locks and anchors everything that has ever happened to the present. People who cannot forget feel they are always tethered to the past; they remember all of the wrong decisions they made in the past, which makes them afraid to decide in the present. Perfect digital memory, then, not only creates a power imbalance between the past and the present but impedes on our ability to decide and act quickly in the present.

Further, it's about information control. Perfect digital recall gives us no choice or control over how accessible our information is, or how long-lived it is in the public sphere. Much of what is online about us at any given time is accessible to anyone, will live forever, and occur out of context. In the past, we could control who 'saw' us and when and under what circumstances. We had a better chance of being able to explain.

Moreover, human remembering has not been a process of mechanistically retrieving facts from our past, but rather, as Daniel Schacter so eloquently argued, the constant reconstruction of our past based on the present. In other words, the past as we remember it is constantly evolving. The past captured in digital memory is constant, frozen in time. It is likely these two visions will clash, yet neither is an accurate and complete depiction of what or who we are.

What can we do about it?

It’s a collective action problem; my 'expiration date' proposal is meant to say there is a way we can start to introduce some selective forgetting into our digital world. We can start a movement by introducing new technologies. A number of companies, from Microsoft to ask.com, all offer the ability to forget, to allow expiration dates on certain kinds of data. In fact, Yahoo and Microsoft have announced they will delete some things after nine months so they will have selective forgetting implemented.

Have you gotten any pushback on the book?

Most pushback has come from people who run the large search engines. Others, of course, have said it is ridiculous not to be able to delete. Other pushback comes from people who accuse me of wanting to destroy archives and libraries. That is not at all what I want to do. I don't want forced forgetting. I want us, as a society and as individuals, to be able to choose what to remember. If nothing is done—if the status quo persists—we will lose a lot of the democratic and open, robust debate we have in society. That would be horrible. Equally horrible would be a world in which we become so locked to the past that we become frozen in the present, afraid to take risks and innovate, and to simply live for the moment.


—By Marcia Stepanek

(Photo, top, by Peeter Viisimaa for istock.com)
(Photo, middle, of Viktor Mayer-Schonberger, courtesy of Princeton Press)

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